The film is the second major production on the prophet. Outside the Imperial Cinema in Montreal, around 50 protesters chanted against Iran, accusing Majidi of betrayal and calling the event Iranian propaganda. Mehdi Azar, a 25-year-old worker at the cinema, said that while the film's length might put some movie-goers off, "it's attractive enough to draw an audience.
"I think this film can be a starting point of research for those who don't know Islam," he said.
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The theatre was around two-thirds full at an 11:00 am showing on Thursday, the first day of the Iranian weekend, but afternoon sessions were sold out in advance and two more had to be added for after midnight to meet demand.Ībolfazl Fatehi, 21, who came to watch the film in a family group of seven, said he loved it. "It was very moving for us," said Mahsa Rasoulzadeh, 40, accompanied by her mother and teenage daughter at Kourosh Cinema in west Tehran. In another, intensely emotional scene, the boy heals his nanny with a touch of his hand. In one scene, an army of tribesmen mounted on elephants charges the holy city of Mecca to heart-pounding music, only to be destroyed by a flock of crows hurling stones. It includes three-time Oscar-winning Italian cinematographer Vittorio Storaro, while the score was devised by India's Allah Rakha Rahman, a double Academy Award winner for the Danny Boyle-directed blockbuster "Slumdog Millionaire". The crew of "Muhammad" is indicative of the film's ambition. It takes cinemagoers from the birth of the future prophet up to his teenage years, and is packed with miracles. "Muhammad", which captures Saudi Arabia more than 1,400 years ago, offers much more than stereotypical trains of Arabs on camels riding across yellow sand dunes. "Islam is a religion of peace, friendship and love, and I tried to show this in the film." Parent’s recent credits include “Godzilla” and “Pacific Rim."The barbaric acts of terrorism conducted by terrorist groups under the guise of Islam are not related to Islam," he said, alluding to beheadings and destruction of cultural treasures by Islamic State militants in Syria and Iraq.
Prior to that, he wrote “Unstoppable.” He is represented by WME and Anonymous Content.
action pic “The Athena Project.” She is repped by WME and attorney Dave Feldman.īomback’s recent credits include “Dawn of the Planet of the Apes” and “The Wolverine.” He most recently penned “War of the Planet of the Apes,” due out in 2017. With the fight behind her, she can now develop the project with Bomback in a way she feels will paint the best portrait of her life.īesides “Mile 22,” Rousey is also attached to Warner Bros. Paramount execs were impressed by her ability to balance a film career while staying in top fighting shape.Įver since breaking out in “Expendables 3,” Rousey has made it clear that she does not discuss outside business while training. Insiders say that Rousey showed interest in appearing in the film and wanted to be sure Paramount was on board as soon as the rights to the book were put on the market. It’s not very often that a notable individual stars in her own biopic, but Rousey is one of those rare cases of an athlete who has seamlessly transitioned from fighting in the Octagon to appearing on screen in such films as “The Expendables 3,” “Furious 7” and most recently, “Entourage,” in which she also appeared as herself.įrom appearing in films and penning New York Times bestsellers to endorsement deals with Reebok, Buffalo Jeans and DraftKings, Rousey’s brand outside the ring has continued to expand over the past few years. Rousey is expected to fight one more time before the end of the year and will then shoot the Pete Berg-directed action pic “Mile 22” in January. No date has been set yet on when the project will go into production as Bomback has just begun adapting the book.
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